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SELECTED VISUAL EXHIBITS
REVIEW of invisible.other @ New American Art Union [ Portland, Oregon] April 1-29, 2007
..."invisible.other" is a big bear hug to the ephemeral, albeit a thoughtful expression of that quality. As the title suggests, Norris is interested in exploring how people see art, so he's selected works that are so indirect as to virtually disappear or, in some instances, remain invisible to the eye. ... Richard Chartier similarly plays with the notion of visibility, and the drawn image, with his three drawings. "Reference 1, 2, 3" consists of pencil drawings that were erased and then painted over in white acrylic. Even after being erased vigorously, tiny vestiges of the initial marks are still visible. Some artworks, after all, are hard to get rid of.... Each of these works implores the viewer to step closer and to adjust the eyes.
- Subtle Arts / Friday, April 13, 2007 / RACHEL NEUGARTEN / The Oregonian
Absence/Presence @ Transformer Gallery [ Washington, DC ] Feb 2 - March 8, 2008 PAINTING
Early Fabricated @ Contemporary Centre of Non Objective Art [ Brussels, BE ] Nov 2006
+es+ pa++erns @ Pinkard Gallery, MICA [ Baltimore. MD ] July 14-30, 2006 DESIGN
Early Fabricated @ Tracer Projects [ Toowoomba, AU ] May 11-31, 2006 PHOTOGRAPHY
Early Fabricated @ The Ocular Lab [ Melbourne, Australia ] Nov 12-20, 2005 PHOTOGRAPHY
Early Fabricated @ Peloton Gallery [ Sydney, Australia ] Oct 13-29, 2005 PHOTOGRAPHY
35mm/Apocrypha @ Sintesi Electronic Arts [ Naples, Italy ] Dec 6-7, 2003 GRAPHIC DESIGN
VS. @ MUTEK (Montreal) May 29-June 2, 2002 GRAPHIC DESIGN
Tallavera's Revue @ Decatur Blue (Washington, DC) 2001 PAINTING
35mm | Design in Miniature @ Lovebytes (Sheffield, UK) 2001 GRAPHIC DESIGN
DAUXBS @ Decatur Blue (Washington, DC) 2000 PAINTING
Escalate @ Antenae Gallery (Washington, DC) 1999 PAINTING
Washington Art-o-Matic (Washington, DC) 1999 PAINTING
FASTforward @ The Corcoran Gallery of Art (Washington, DC) 1999 PAINTING
Music as Art/Art as Music @ Center City Space (Lowell, MA) 1998 PAINTING
WPA Art Exhibition/Auction @ The Corcoran Gallery of Art (Washington, DC) 1998 PAINTING
an appropriated confession @ Gallery 210 (Frederick, MD) 1997 SOLO PAINTING
artists respond to aids @ DC Art Center (DCAC) (Washington, DC) 1996 PAINTING
studies:stains:texts @ GO (Arlington, VA) 1996 SOLO PAINTING
resolutions @ DC Art Center (DCAC) (Washington, DC) 1995 PAINTING
art achievement award exhibit @ Artworks Gallery (Harrisonburg, VA) 1993 SOLO PAINTING
Undergraduate Exhibit @ Sawhill Gallery (Harrisonburg, VA) 1993 PAINTING
works.chartier @ Artworks Gallery (Harrisonburg, VA) 1992 SOLO PAINTING
Undergraduate Exhibit @ Sawhill Gallery (Harrisonburg, VA) 1992 PAINTING
Recent Works @ The Other Gallery (Harrisonburg, VA) 1991 SOLO PAINTING
VISUAL EDITIONS:
TITLE: "s is for..." 2005 (3particles07)
FORMAT: archival ink jet print on archival paper
SIZE: 11"x20" (28cm x 51cm approx)
EDITION: limited signed/numbered edition of 10 (4 available)
INFO:
created for the traveling photography exhibit Early Fabricated.
TITLE: "mono.poly.chr" 2002 (LINE_ED01)
FORMAT: 5-ink offset print on archival paper
SIZE: 12" x 12" (30.5cm x 30.5cm)
EDITION: 30 signed/numbered by R.Chartier + B. Günter (sold out/out of print)
100 signed/numbered by Richard Chartier (sold out/out of print)
INFO:
This limited edition visual work by Richard Chartier is derived from his cover art designs for a series of compact discs of sound work by German composer Bernhard Günter released on the digital minimalist recording label LINE (NY). This piece is a continuation of the process of the series' distillation of source material and aural/visual influence.
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